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39-41 Gregory Boulevard, Nottingham, United Kingdom
www.thenewartexchange.org.uk/ This blog is for all New Art Exchange audience members to give their opinions and reviews, and to discuss exhibitions & events. Got something to add? Email: laurajade@nae.org.uk

18 March 2013

Poetry Competition Winner!


Winner of the 2013 NAE, Nottingham Festival of Word’s Poetry Completion



Congratulations to Russell Christie, whose poem won our 2013 Nottingham's Festival of Words Poetry Competition. The poem was inspired by a work in the Realism in Rawiya exhibition 'Mother of Martyrs', Newsha Tavakolian, showing in our Main Gallery until 20th April. As a reward, the poem was displayed on International Women's Day in our reception area. Here's a picture of the poet next to his fantastic poem Feathered Edge! 




Feathered Edge

In the midst of all the vagaries of sense,
when seeing is a distance away
and the edges of doing seem to blur
as a tear fractures the day,
there is this one content.
There is this one.

When the fist of avarice
swipes through the wind
and snatches the closest away,
though wings are torn along a mortar edge,
there is this one content.
There is this nest of love.

Holding through uncertainty,
this room of carpet and fur;
this cove of confidence
in the hell of the world,
from which we launch
repeated excursions of blood.

We pass around the plastic cup,
a bucket of water our shrine,
and see all of the salt that we are.
We harness strength in this last resort
and rivers of children scream
through the beauty of our eyes.

We are the bastion of ourselves,
son-less and stronger than our sons.
We stand still, in this one content,
this making place, this scoop
in a bucket of water and blood,
this nest of love in collapsing buildings,
this home which we are.

Russell Christie

04 March 2013

Exhibition Review: Satta Hashem 'In Conflict'


Satta Hashem’s solo-show, In Conflict: Reflections on the Constant War in Iraq, which exhibited in New Art Exchange’s Central and Mezzanine Galleries, features a selection of ink drawings, acrylic paintings and mono-screen prints, spanning the past 10 years since the invasion of Iraq. Hashem’s drive is not to create propaganda; instead he presents an emotional response to the war. The works are always aesthetically striking and communicate the personal turbulence of war and the sorrow of loss.

The exhibition begins in the Central Gallery which mainly features ink drawings on paper. These works are small and intuitive like doodles. The exhibition title In Conflict describes the Iraq war, but also reflects the chaotic appearance of Hashem’s artworks. In his ink drawing ‘Widows at War no. 1769’, 2012, Hashem depicts four abstract forms suggestive of human figures. Inner turmoil is conveyed through the frenzy of scribbles occupying the figure’s heart and head whilst the limbs remain hollow spaces. There is something disturbing about Hashem’s refusal to satisfy the viewer’s natural urge to read the subject’s facial expression. The artist frequently uses widows as his subject matter, which contrast to the cold statistics of war- often the only aspect of war that we see.

Widows at War no. 1769, 2012

The Mezzanine Gallery contains larger drawings and Expressionist paintings upon large canvases. These life-size scenes are windows into another world and it has an emotionally absorbing effect upon its viewer. In ‘Life and Death', 2012 Hashem uses colour boldly to express emotion. The theme of conflict is presented aesthetically through the battle for dominance between contrasting colours. The abstract composition consists of a series of dynamic multi-coloured lines spiralling and intertwining through a sea of colours. The absence of a focal point is not restful on the eyes; instead the viewer is forced to actively scan and process the busy surface of the canvas. The energy and movement within the piece is achieved through the wild intuitive application of paint, and it invests the painting with an immediate rawness. In the context of ‘Life and Death’, the composition shares similarities with an anatomical model; the lines loosely resemble veins, and the red areas raw flesh and blood.

Life and Death, 2012

The final series of works within the exhibition are mono-screen prints, which are composed of multi-coloured geometric blocks in a Modernist style. Hashem utilises the theory of Quantum Realism, developed by the Iraqi artist Mahmoud Sabri, to interpret chemical properties into visual forms. The elements Hashem represent belong to chemical warfare, such as uranium, thulium, and iron. This scientific approach differs from the emotional use of colour in his paintings. Alongside his prints is a television screen displaying a slideshow of images which use abstract blocks of colour also determined by Quantum Realism. The television relates to how war is edited, recorded and communicated through news reports. Visually the slideshow is reminiscent of test cards broadcasted of television; another system utilising colour. Compared to other works in the exhibition, Hashem’s presentation of the Iraq war is more reflective, still and detached.


Resonant Frequency of Gold No.4, (2012)


Overall, I feel the exhibition deeply explores the emotional effect of war including the anxiety, destruction and loss, and it is conveyed in an engrossing and aesthetically interesting way. Difficult themes emerge in abstract forms- we are given an insight into troubled souls rather than a simple representation of facts. Throughout the exhibition Hashem’s artworks balance abstraction with representation, which allowed me to use my imagination and identify with the subject. I did not feel the exhibition solely represents Iraq, but instead the artworks respond to the social and personal effects of any war or any instance of dramatic turmoil. The exhibition represents something deeply troublesome and upsetting, presented in a way that we can all emotionally connect with.

Laura-Jade Klée
Marketing Assistant, New Art Exchange

22 November 2012

Edward Lucie-Smith

Art critic and historian Edward Lucie-Smith visited New Art Exchange to help launch part two of our contemporary Jamaican art exhibition, I is AnOther.



During his visit he took time out to chat to us about the current and future state of the contemporary art world from the perspective of Jamaican artists who exist as both participants and outsiders by mapping journeys of their survival and development.

Edward Lucie-Smith has published more than a hundred books in all, including a biography, a historical novel, and more than sixty books about art, mainly but not exclusively about contemporary work. He is generally regarded as the most prolific and the most widely published writer on art and a number of his art books are used as standard texts throughout the world.

Our Editor also picked out one of her favourite poems by Lucie-Smith which is quoted below!



QUIZ
What do you most like?
- My own company.
What do you most dislike?
- My own company.
What do you want on your desert island?
-        In the middle of a lake, a desert island.

22 October 2012


Thoughts from the Editor…





Study of Kin

Marcia Michael
 

‘…images showing positive representations of black subjects were not evident in the British national archives.’

Shocking I thought. But true, according to artist and photographer Marcia Michael who is currently exhibiting in New Art Exchange’s Central Space (28th September 2012 – 5th January 2013).

Michael’s photographs are intended to ‘record and reveal the authentic’ portraiture of black identity. She uses her own family in the series ‘Study of Kin’. I would usually find this hard to engage with, as artists can sometimes make their work too personal for a viewer to truly understand. However in Michael’s photographs there is no air of standard ‘family photographs’, instead she offers a collection of documentary photography, with an incredibly delicate edge.

The photographs have a great sense of stillness, made by the ‘studio type’ backdrop and their beautiful ordinariness. So much so, learning that historic representations of black identity throughout history has been affected by political circumstance - to the point that photographs were mainly taken to present negative stereotypes of the Black community -  gave this work a huge feeling of dignity; which the subjects in the photographs certainly compliment.

Each of the photographs deserves time for reflection, but I personally found the photographs of the subjects turned away from the camera to be particularly poignant. You may be expecting me to say something conceptual about the meaning of the subject turning away, but I daren’t taint these photographs with such empty words. These particular pieces are just simply stunning, and achieve what Michael’s points out - a true documentation of skin without the attachment of stereotypes.

19 October 2012

Drawing your Family History Workshop


*photographs by Laura Millward

Photographer Jon Legge hosted another brilliant workshop here at New Art Exchange last month. Families were invited to bring along some family photographs to turn them into drawings!

Jon placed each photograph into a projector called an epidiascope which then projected the image onto the wall, where large pieces of paper were hung to act as a canvas for the drawings. Children could then trace around the images of their relatives, creating an outline drawing which was a fun and easy way to create a family portrait. Another projector was set up to create a shadow of the person posing, creating a silhouette to draw around.






If you would like to attend a family workshop why not come to the next one, this Saturday 20th October, when we are hosting a drawing event for the Big Draw. It runs from 2-4pm and all are welcome to attend and help to create a collaborative drawing inspired by NAE's current exhibition.

18 October 2012

**TONIGHT**


Award Winning Jazz and Hip Hop Star brings Seven Deadly Sins to Nottingham

 
Award-winning jazz alto saxophonist and hip hop star Soweto Kinch will be presenting all new material this Thursday night when The Legend of Mike Smith tour comes to the New Art Exchange, Nottingham, in anticipation of a new album of the same name to be release in early 2013.

 
The performance draws on Dante and The Seven Deadly sins, telling the tale of a young MC caught in a very modern world of temptation. Featuring a core trio including Karl Rasheed Abel on bass and Shaney Forbes on Drums the subject matter allows Kinch to explore the full breadth of human emotion in Hip Hop and jazz form.


Soweto Kinch said he was excited about the upcoming tour, as the stripped trio format allows him more harmonic freedom and space to deliver lyrics.

 
“Moreover, I’m excited about integrating new things into the show, such as tenor sax and live looping,” he said.

 
Soweto Kinch is one of the most exciting and versatile young musicians in both the British jazz and hip hop scene and has amassed an impressive list of accolades and awards on both sides of the Atlantic including a Mercury Music Prize nomination and two Urban Music Awards. In 2007 he won his second Music Of Black Origin ( MOBO) Award, winning Best Jazz Act and fending off stiff competition from the likes of Wynton Marsalis.


His skills as a hip hop MC and producer have also garnered him recognition in the urban music world: having supported the likes of KRS ONE, Dwele and TY, and being championed by the likes of Mos Def, Rodney P and BBC 1-Xtra’s Twin B. Kinch’s projects also extend beyond recorded albums, having written the score for Jonzi D’s Hip Hop Theatre production Markus the Sadist (2010), and Sampad’s In The Further Soil (2010), a dance-theatre. Kinch also wrote and acted in the latter piece, which toured throughout India.

 
Most recently, he has collaborated with the BBC and Drum and Bass producer Goldie to create By Royal Appointment, a three-part prime time reality music show following Goldie, Soweto, Guy Chamber and Ms Dynamite as they discover and coach a group of 12 vulnerable young mentees towards their first live performance before HM Prince Harry at Buckingham Palace.


- Event details -
 

What: The Legend of Mike Smith tour, Soweto Kinch

When: Thursday 18 October, 7.30pm – 9pm

Admission:  £10 (£8 Concession)

Age Range:  All are welcome


Advanced bookings are advised.


To book tickets please call: 0115 924 8630 or e: info@nae.org.uk


For more information or to organise interviews please contact Emma O’Neill, Marketing and Communications Manager, New Art Exchange P: 01159248630 e: emma@nae.org.uk

 

-Editor’s notes –


About New Art Exchange: Launched in September 2008, New Art Exchange is a contemporary visual arts space with the objective of stimulating new perspectives on the value of diversity within art and society. Recent and forthcoming exhibitors include Zarina Bhimji, Rashid Rana, Christian Marclay, Elizabeth Price (British Art Show 7), Hetain Patel, Zineb Sedira, Leo Asemota, Basel Abbas and Ruanne Abou-Rahme, Raghu Rai and Harminder Singh Judge. The venue is a landmark arts facility that celebrates the region’s cultural richness and diversity, placing contemporary arts practice at the very heart of an international community.

 

11 October 2012

New Art Exchange judges at the Castle Open

 
Sardul Gill wins New Art Exchange's Prize at this year's Castle Open!
 
 
(photograph of judges and winners)
 
On the 29th September NAE representatives judged the Nottingham Anual Open Competition at the Castle (Nottingham) amongst other East Midlands Galleries - and chose Artist Sardul Gill out of 56 artists, to recieve a solo show at the NAE!

"The NAE prize at the Castle Open has truly reignited the fire in my belly to pursue my current ideas with greater confidence." - Sardul Gill

We'd like to congratulate Gill on winning the prize and look forward to working with him in the future!

The Open is open until the 28th October to have a look at the selection and the other winners artwork!