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39-41 Gregory Boulevard, Nottingham, United Kingdom
www.thenewartexchange.org.uk/ This blog is for all New Art Exchange audience members to give their opinions and reviews, and to discuss exhibitions & events. Got something to add? Email: laurajade@nae.org.uk

31 May 2012

CULTURE CLOUD COMMISSION


No Official Name has been asked to design a digital visualisation which represents the data from the Culture Cloud project at the New Art Exchange. 
The first video will launch today at the gallery. Pop in to see the work and take a look at the 100 submissions chosen for the voting, which starts online on 4 June!

Twitter @noofficialname
noofficialname@live.co.uk

23 May 2012

Turner Prize Shortlisted Artists

Back in October 2010 Nottingham was the first host of British Art Show 7.

More specifically, New Art Exchange was one of the main venues for 4 of the artist's work.

In the Mezzanine gallery, NAE was proud to show artist Elizabeth Price's piece, and is now pleased to hear that she has made it as a short listed artist for the Turner Prize 2012!

The winner will be announced at Tate Britain on Monday 3 December 2012...


22 May 2012

NVA 6 has arrived at the New Art Exchange!

Featuring 2 staff memebers, Roshni Belakavadi and Alice Thickett and a regular volunteer Jack Vickers!

Come to the gallery to collect your free copy after you've had a look around the Hetain Patel:At Home and Morph:Terra Nova exhibitions!

18 May 2012

**COMMENT OF THE PAGE**
Hetain Patel:At Home exhibition
- This 'Comment of the Page' was picked by NAE's multi-talented Ben Lord (assistant to the cafe and gallery). The current exhibition is definitely
'smileyfaceandsunglasses COOL!'
For every page of the comment book in the NAE gallery we're picking the best comment and publishing it on the blog... will your comment be **COMMENT OF THE PAGE**?
H a P p Y  B i R t H d A y!


Craig Thompson

... to NAE volunteer and blog contributor Laura Millward!
Have a wonderful day!

16 May 2012

Camera Obscura Workshop

Victoria

Here are a few photographs from March's Camera Obscura workshop which was run by photographer Jon Legge. The workshop was a brilliant chance for visitors to try their hand at making their own camera obscura simply by using a cardboard box, some tracing paper and a lense. Everyone enjoyed the class, and as you can see, the final creations looked very impressive indeed!


Jon Legge is back at the gallery this weekend for Superhero Saturday, a whole day of fun activities for young people and families on the 19th May. Come along dressed as your favourite superhero, and you can get your action photo taken by Jon and the team against a background set! The photo session runs from 12pm til 2pm. There will also be a free screening of Spiderman 2 at 2.30pm, and anyone in costume will get a free goodie bag! More details on the event can be found here.

Looking through a wooden camera obscura

Building..

Jon set up this one in the window

The final camera obscuras!
The final camera obscuras!

15 May 2012

Curating the Dots roundup by Kate Martin

Thursday saw the New Art Exchange host ‘Curating the Dots’ a talk centred on ‘augmented reality’ and ‘digital curation’ by Open Curate It’s Boo Chaple, famous new media artist Jeremy Bailey and Apposing’s Louis Aims. This energetic presentation left me thinking about the effect the digital world can have when engaged with the real world.



I’m sure that certain theorists such as Walter Benjamin would have been horrified by such developments but in contemporary society most people have at least dabbled in the delights of social media. Nonetheless, for some people (myself included!) the vast realms of computer generation are tricky to understand. If I look back upon various pages of notes from academic lectures, curation has been defined as ‘to act as a keeper of objects by organising and overseeing’. Understood this way it is perfectly feasible to understand how bringing together hyperlinks and online content can be understood as within the boundaries of curatorial practice.



These social platforms reflect a major social shift that allows for alternative audiences and communities to engage. Therefore, augmented reality offers an interesting approach to accessible meaning making and active engagement strategies within the arts and culture sector. The dynamics of sites like opencurateit.org allow for a more collaborative and ‘open’ approach to curation than perhaps traditionally understood. Of course as Boo highlighted, ‘openness is a slippery beast’ and one which she continues to struggle to define.



Regardless of the  inherent ‘teething troubles’, innovative new approaches are exactly what are needed to ensure the arts and culture sector continues to captivate audiences and flourish in the current economic situation. After listening to the thoughts of Boo and Louis and being immersed into the enthralling and earnest world of the ‘famous’ new media artist Jeremy Bailey I can see just how effective the digital world can be when engaging the real world . The performative nature of the evening definitely had the audience amused and enthused.


More information can be found at the following links::





by Kate Martin